That Floating Poo Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

As we reflect on the television offerings of the recent year, a selection of shows emerge not for their brilliance, but for their notable failures. From awkward spin-offs to confusingly poor docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate follow-up? Burdened with dreadful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the third season started, it looked like it had finally found its groove. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator declared this would be the final season. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was just way too on-the-nose. Still, viewers certainly had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this show's issues. The recipient of a very rare zero star review, it was hard to know where to begin listing the problems. The hilariously wooden dialogue? The tedious glorification of wealth and consumption? The seemingly deliberate parade of tropes? Performances so bad they felt borderline spiteful? Suffice it to say “all of the above” and forget about this show again. Except, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this show might induce should be reserved for the people who have had to suffer close contact with this charming but flippant egotist.

The Supercomputer Drama

Of course we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady figures meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge unconvincing dialects. But there were plenty of other problems. Primarily that it was just profoundly boring; a dispute over narcotics territory between various London rogues which felt rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of the nation’s performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various forays into twee lifestyle as intentional provocations. But then you watch them and are compelled to admit that actually, they might have a point. It’s like watching a lifestyle catalogue animated; a poster for evening drinks with delusions of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “hacks” you’ll forget instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-worth. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was akin to reading a sales brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to detail what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to live up to something far greater than it.

Too Much

How does one follow a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Rather, the series laboured awkwardly to find the right tone, lumbering from strangely jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We admire the star … but did we believe him playing the greatest maths genius since, a man so smart he’s on the brink of a discovery that could ruin society? Nope! This international thriller about secret services spying on – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for explicit escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we craved was far greater examination of her actual psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Melissa Cunningham
Melissa Cunningham

A seasoned gambling expert with over a decade of experience in casino games and sports betting strategies.